There is a crucial distinction to be made between innovation and originality. The second, unlike the first, can never break with what preceded it: to be original, an artist must also belong to the tradition from which he departs. To put it another way, he must violate the expectations of his audience, but he must also, in countless ways, uphold and endorse them.

The two most potent post-war orthodoxies--socialist politics and modernist art--have at least one feature in common: they are bothforms of snobbery, the anti-bourgeois snobbery of people convinced of their right to dictate to the common man in the name of the common man.

Marriage does not exist for the benefit of the present generation but for the benefit of the next

Beauty is assailed from two directions - by the cult of ugliness in the arts, and by the cult of utility in everyday life.

Classical buildings endure because they are loved, admired and accepted, and enjoy an innate adaption to human needs and purposes.

We should not value education as a means to prosperity, but prosperity as a means to education. Only then will our priorities be right. For education, unlike prosperity is an end in itself. .. power and influence come through the acquisition of useless knowledge. . . irrelevant subjects bring understanding of the human condition, by forcing the student to stand back from it.

When art becomes merely shock value, our sense of humanity is slowly degraded.