The consolation of imaginary things is not imaginary consolation.

In the attacks on the old ways of doing things on word in particular came into currency. That word was "kitsch." Once introduced, the word stuck. Whatever you do, it musn't be kitsch. This became the first precept of the modernist artist in every medium.

The sexual parts are not only vivid examples of the body's dominion; they are also apertures whose damp emissions and ammoniac smells testify to the mysterious putrefaction of the body.

It is not the truth of Marxism that explains the willingness of intellectuals to believe it, but the power that it confers on intellectuals, in their attempts to control the world. And since, as Swift says, it is futile to reason someone out of a thing that he was not reasoned into, we can conclude that Marxism owes its remarkable power to survive every criticism to the fact that it is not a truth-directed but a power-directed system of thought.

To speak of beauty is to enter another and more exalted realm-a realm sufficiently apart from our everyday concerns as to be mentioned only with a certain hesitation. People who are always in praise and pursuit of the beautiful are an embarrassment, like people who make a constant display of their religious faith. Somehow, we feel such things should be kept for our exalted moments, and not paraded in company, or allowed to spill out over dinner.

Freedom can reside only in a point of view, a way of looking upon the system of necessity.Surely this is the one freedom that we may attain to: not to be released from physical reality, but to understand reality and ourselves as part of it, and so be reconciled to what we are.

When gifts are replaced by rights, so is gratitude replaced by claims. And claims breed resentment