I don't want every fan; I'm interested in fans interested in quality work, authentic archetype depictions.

The only difference between comedy and drama is that, in comedy, I'm going to utilize the tool of creating laughter to deflect discomfort and, in drama, I won't use a tool, but we're going to actually deal with the discomfort and see what comes out of it.

Coming from a background as unique as mine, the first challenge is being able to identify chaos as chaos. For the first half of my life, I interpreted chaos as normal. Today, I am aware that I have triggers: a default way of thinking that is often not relative to the immediate moment. Therefore, in the midst of chaos, I have learned to relinquish all my premature cognitive commitments and become present.

My goal in life is to bring to the screen really believable depictions that make you think, "Damn, I have to look within myself."

I worked for this company that repossessed cars. Sure enough, the day after I quit, they repossessed my car, but that would probably be my strangest job to date. You have to work your way up to become a hardcore repo man.

I'd like to change the depictions of life, love, and adventure under what's known as the typical, overused backdrop of Hollywood.

I feel comfortable working with people who are secure in themselves and confident in what they do.