Whenever someone asks me craft questions like that I feel like I can give one of two answers. I can give the academy answer and say that it was very deliberate and I had a plan in mind and I executed that plan exactly to the letter. But this isn't the case.

If I had a nickel for every time someone told me apologetically "I don't read fiction," I wouldn't have to write fiction anymore. And I share that fascination with the truth. I'm not looking down my nose at it.

Sometimes we make assumptions about influence when similarities between two writers' work are so strong, but they're still just assumptions. Some things are sort of zeitgeist-y. There's a collective consciousness and we're all drawing from it.

Most of my writing is an effort, one way or another, to figure something out about myself, and often when I read dialogue between my characters I recognize it as a discussion between two aspects of my own personality, aspects which are too often at odds.

The urge to move is natural and understandable. As will be the case throughout your life, no matter how long or brief, the choice is, in the end, yours. Simply bear in mind that most every choice will have consequences, and in this instance those consequences would likely be quite grave.

Regardless of whether you believe in the Singularity, you will most likely experience the benefits of it. But we don't really know.

But the thing is, from the perspective of a novelist there is a brand of lying that feels more honest than the actual facts of an event. Lying as a way to move closer to the truth, or to illuminate ow something actually feels in a way the mere facts cannot.