Don't repackage your fear and try to sell it to me as indifference.

People have invoked the ghost of Hemingway quite a few times in writing about the book. I could get into sticky territory here if I let myself go on about this subject. The more I hear it, the more it rankles, frankly.

But the thing is, from the perspective of a novelist there is a brand of lying that feels more honest than the actual facts of an event. Lying as a way to move closer to the truth, or to illuminate ow something actually feels in a way the mere facts cannot.

Jay Wexler is my kind of writer--a weird one, and a wry one, and one who isnt afraid to act silly in a sort of bait-and-switch that, to the readers surprise, moves him as much as it makes him laugh. Like all the best comedians, Wexler is clearly nursing a heart that the world broke a long time ago. Ed Tuttle is a book that cant decide what it wants to be when it grows up, but as with most cases of arrested development, theres something very serious going on behind all the antics. Plus, there are pictures.

Sometimes we make assumptions about influence when similarities between two writers' work are so strong, but they're still just assumptions. Some things are sort of zeitgeist-y. There's a collective consciousness and we're all drawing from it.

I tend toward the pessimistic end of the spectrum, and unfortunately there's little in human history to convince me that pessimism is unwarranted.

You could not be more correct. It does matter. All of it.