I usually do at least a dozen drafts and progressively make more-conscious decisions. Because I've always believed stories are closer to poems than novels, I spend a lot of time on the story's larger rhythms, such as sentence and paragraph length, placement of flashbacks and dialogue.
Ron RashI don't even have a choice. Rachel thought how that was pretty much true of everything now, that you got one choice at the beginning but if you didn't choose right, and she hadn't, things got narrow real quick. Like trying to wade a river, she thought. You take a wrong step and set your foot on a wobbly rock or in a drop-off and you're swept away, and all you can do then is try to survive.
Ron RashYou got one choice at the beginning but if you didn't choose right, things got narrow real quick.
Ron RashShe realized that being starved for words was the same as being starved for food, because both left a hollow place inside you, a place you needed filled to make it through another day. Rachel remembered how growing up sheโd thought living on a farm with just a father was as lonely as you could be. (130)
Ron Rash