I'm a writer. That's who I am, at my core. I'm a writer, and then I learned production and administration, along the way. I feel like most people can learn it because production and the administration part is all about logic, and it's all about learning rules and budgets.

I'm always looking for vacation. I'm always trying to step away from it to watch movies. I'm always trying to carve out free time for myself. But, I love it. I don't think I've ever not wanted to run a show. When I have a show, I'm always really excited. I always enjoy the process.

After you get a season under your belt, you learn a lot of lessons. It's a much bigger challenge, logistically, in terms of production.

I like interacting with fans and I like hearing what they say, but you have to take it all with a grain of salt.

The flower inside the fruit that is both its parent and its child. Decadent as ancestors. The portal and that which passes. Nuclear devices activated, and the machine keeps pushing time through the cogs, like paste into strings into paste again, and only the machine keeps using time to make time to make time. And when the machine stops, time was an illusion that we created free will.

When I finally got my break in TV, as a staff writer, I always wanted to be at the top of that pyramid. I always wanted to make the decisions. I always wanted to be the one that was saying, "This is what the show is, and this is what the show is not. This is where we're going. It's going to be this kind of series." It was just something I always had my eye on, when I started in the business.

You never know exactly what pop cultural moment a show is going to step into.