Even in its darkness, it has this picturesque element. It's something about the human condition. It's not the water itself-it's humanity's relationship to water, because that’s almost a human need, that water be a positive force.

After a few days [in Iceland] I tried to take a photograph. But with my attempt to distinguish the first shot, the place disappeared on me.... I hadn't been in Iceland long enough to simply be there.

A non-analogue image has an extremely compressed life. It starts as this and, in increasingly short time spans, becomes that.

Usually, the subject matter of the image is not the subject of the work.

You use metaphor to make yourself feel at home in the world. You use metaphor to extinguish the unknown. The problem is the unknown is where I want to be.

As is often said of photography, this photograph is a frozen moment. A frozen moment is not a moment at all.

Even in its darkness, it has this picturesque element. It's something about the human condition. It's not the water itself-it's humanity's relationship to water, because that’s almost a human need, that water be a positive force.