The people that are the invisible ones, the marginalized, the quote-unquote weirdos, the people that get things thrown at them, the people that get harassed every day just for existing . . . I just still strongly align with them.

I have a lot of brothers and sisters, and each movie has helped pay for tuition. And then I was like, I only have one left in college, so why am I doing this? But now I want to go back to Italy and live on a farm in Tuscany.

With fame, all of a sudden you're seeing yourself through the eyes of a world of men, and that's . . . Look, it's very weird to have part and parcel of a job to feel like you're a lure for men to come into the theater. Some people do have a very innate sexuality to them. I may or may not have it, but it makes people see you in a certain light that has nothing to do with me.

I did a cover for Rolling Stone the other day and it was a kind of crazy lack of outfit. I thought, "Oh, Lord. I'm never going to be Jane Austen in a film now!" 'Cause that's what I'd really like to do.

It's my job to spread deviance to the American youth.

A lot of times when you do things where you're killing people, the character is always having an existential crisis about it. It's fun to be no-holds-barred and have no big crisis of conscious.

If somebody said something racist around me, or you, or most people, you would correct it, you would stop it, but when they say things about women, so frequently no one says anything. That has to change.