I had met American artists and just couldn't believe their energy. London was always such a struggle to get anything going.

I had met American artists and just couldn't believe their energy. London was always such a struggle to get anything going.

From day one, my idea was always to use the gallery as this animated place to discover culture in a much bigger way.

There's a moment when you say, "Okay, I'm not going to become a dancer. I'm not going to become a painter." So in a sense, I ended up writing about those big conflicts that I felt.

Performance art is really about the sociology of the artist, where ideas come from, and the confluence of those ideas.

As far as I'm concerned, the 20th century was performance-driven, but for some reason, the critics and historians didn't know how to integrate that.

I was often the only white girl in the Indian dance class. That felt funny, but doing Indian dance was great.