As far as I'm concerned, the 20th century was performance-driven, but for some reason, the critics and historians didn't know how to integrate that.

Performance art is really about the sociology of the artist, where ideas come from, and the confluence of those ideas.

There's a moment when you say, "Okay, I'm not going to become a dancer. I'm not going to become a painter." So in a sense, I ended up writing about those big conflicts that I felt.

I had met American artists and just couldn't believe their energy. London was always such a struggle to get anything going.

As far as I'm concerned, the 20th century was performance-driven, but for some reason, the critics and historians didn't know how to integrate that.

I was often the only white girl in the Indian dance class. That felt funny, but doing Indian dance was great.

My father was a doctor. He was just a great guy, a gentle humanist, and an old-fashioned GP. He'd get up at three in the morning to see patients in different areas if they needed him.