I think actors always have that fear of unemployment so when the opportunities are there, you just jump on them.

I think Carl Jung said, you know, I'm gonna paraphrase it badly, but, so much of what we fall in love with in other people is a potential in us that's ready to be realized. We're projecting onto them this amazing thing, but really it's us, and we're very close to integrating it and claiming it. If we do claim it, then we can just love somebody for who they are with all their flaws, but if we don't take that projection back, then we keep wanting them to have that. Then you just realize we're all screwed, that's how it works.

I think actors always have that fear of unemployment so when the opportunities are there, you just jump on them.

We have our whole lives to try and get a glimpse of what that could be, in our own life. It's so exciting.

I remember being in high school and my mother would say, "What about such-and-such boy?" I'm like, "Oh mom, he's too nice," we don't like the nice boys when we're 16. I'd say, "He's not attractive," and she'd say "All young people are attractive." And they are, and I get that.

I started a writing class, not in service of writing a script or writing anything specific. I've just really been enjoying that, and oddly the group, not by design, but it just happened to be all women, and there were three women who gave birth this fall while we were all in class, and there's just something really great about getting to know these women through their stories and what they're writing about.

We typically make movies that are geared towards 18-year-olds. The people who pay and go to movies more than two or three times are usually under 22, so I get how it works. I don't really want 18-year-old boys to find me that attractive, that kind of would creep me out at this stage.