I like exploring both the light parts and the dark parts of a single person. And all of those shades tend to come out most acutely in stories about families.

We typically make movies that are geared towards 18-year-olds. The people who pay and go to movies more than two or three times are usually under 22, so I get how it works. I don't really want 18-year-old boys to find me that attractive, that kind of would creep me out at this stage.

I get mad at my girlfriends when they say things about their neck or something, "My neck is a disaster," and I'm like, "Come on, you don't even believe that." You're taking that from the outside world, you know? You look amazing, you're beautiful, you're 40, you're in the prime of your life. I'm not interested in fighting it at all. I don't think anyone else is wrong for trying to fight it, however.

And I think a lot of us have fantasies of going back to where we're from, or when we do go back we're so nostalgic about it.

I love the crazy sex and the awkward situations.

I remember being in high school and my mother would say, "What about such-and-such boy?" I'm like, "Oh mom, he's too nice," we don't like the nice boys when we're 16. I'd say, "He's not attractive," and she'd say "All young people are attractive." And they are, and I get that.

I started a writing class, not in service of writing a script or writing anything specific. I've just really been enjoying that, and oddly the group, not by design, but it just happened to be all women, and there were three women who gave birth this fall while we were all in class, and there's just something really great about getting to know these women through their stories and what they're writing about.