'Unbelievers' was a song that we felt like we could tackle, so that's one of the reasons we wanted to start playing it live, we really believed in that song and we still believe in that song a lot.

It took me some time to join the various streams of making music that was technically good and making music that made me feel good.

I love working with Angel Deradoorian, she's a joy to work with. She's fab at singing and she has a real... she has an understanding that's both intellectual and emotional about singing, that I think that very few people have.

Now that that album's done [TModern Vampires of the City], I have time to revisit things that I was working on earlier, previous to it. I actually found it very helpful to be working on some music on my own.

It's hard to say how time factors into your work, because sometimes things will come to you very quickly, but it will take years for the ideas to be gestating in your mind.

I feel connected to every song on this record [ 'Modern Vampires Of The City' ], but yeah I think there's something special about 'Young Lion'. It's pretty different from any song that we've had before because the vocals are kind of between two different very simple instrumental piano melodies and it's almost like something that we call a vignette, it's sort of like a miniature.

I like the idea that a song can be something that you can lean on, both for the songwriter and for the person who hears the song.