I had no problem working for 15 hours straight when I was producing someone else, but I couldn't do it with my own songs. It took that moment of pointing the camera at myself to realize that it was okay to get lost in making my own music. I think before that I was scared of pushing myself to the point of staring into the abyss.

We thought there was also something that was humorous but at the same time powerful and deep about naming the album, 'Modern Vampires Of The City'.

I did take guitar lessons as a teenager, though, and I started to teach myself how to play everything I could play on the guitar on piano, so I had a really weird, non-traditional route to proficiency. I think it probably helped me come at things from a new angle.

It took me some time to join the various streams of making music that was technically good and making music that made me feel good.

'Unbelievers' was a song that we felt like we could tackle, so that's one of the reasons we wanted to start playing it live, we really believed in that song and we still believe in that song a lot.

I feel connected to every song on this record [ 'Modern Vampires Of The City' ], but yeah I think there's something special about 'Young Lion'. It's pretty different from any song that we've had before because the vocals are kind of between two different very simple instrumental piano melodies and it's almost like something that we call a vignette, it's sort of like a miniature.

Obviously it always takes longer to finish an album than you think it will. That's always going to be the case. Everything takes longer than you think it will. Occasionally things happen fast.