There's a line in the Arthur Russell documentary where his partner talks about how Arthur is really interested in process. He never felt like anything was finished, and he would even work on things after they'd been released. I definitely relate to that.

Now that that album's done [TModern Vampires of the City], I have time to revisit things that I was working on earlier, previous to it. I actually found it very helpful to be working on some music on my own.

I guess I have some kind of a visceral connection with drums. I'm looking to create music that people can react to viscerally, and people will respond to viscerally. I think that you can listen to music, to a song you've never heard before and not really like it, but also feel like you're responding to it physically whether you like it or not. I think that's a powerful aspect about music, and I think that's something that draws me to drums.

I think summer, at least as I've experienced it, can be joyous but it can also be tough emotionally. Physically, it can be hot to the point of being unbearable and I think you want to capture that frustration, but also the release.

We thought there was also something that was humorous but at the same time powerful and deep about naming the album, 'Modern Vampires Of The City'.

There's a line in the Arthur Russell documentary where his partner talks about how Arthur is really interested in process. He never felt like anything was finished, and he would even work on things after they'd been released. I definitely relate to that.

It took me some time to join the various streams of making music that was technically good and making music that made me feel good.