Although the great frustration about this [role] is the fact that there's one thing Maigret never does, and that's drive. He's always driven, or he takes the train, or he gets the bus. I was saying 'Well, why don't we ring the changes for the 21st Century, and stick him in the car?'. [Executive Producer and son of the author, John Simenon] said, 'Well, you can if you want, but there'll be lots of people who won't like it'. So he's a non-driver ... But no, Top Gear was never a consideration for me; and neither was I asked

I'm more critical of the films I make than anyone else.

I tend to play rather odd men. People that are slightly odd or eccentric, or have a more particular attitude to life.

And, we put a lot more value, or at least I personally put a lot more value, on the creative values and creative challenges of something than the commercial necessities.

Without wanting to claim that I'm really like James Bond I would certainly prefer to be thought of as closer to James Bond than Mr. Bean most definitely.

[Maigret Sets a Trap] was always going to be the first film, and it seemed to be quite a nice story. But of course it meant that here I was playing this new character for the first time, in a place where he had been a relative failure, as all these people had been murdered and the pressure was on. Rather than starting optimistically with his pipe in front of the fireplace, he was in quite a difficult place.

The problem with Maigret is he hasn't got a limp, and he hasn't got a lisp, and he hasn't got a French accent, or a particular love of opera... or all those other things that people tend to attach to many fictional detectives. He's just an ordinary guy doing an extraordinary job, in a very interesting time.