Monty Python crowd; half of them came from Cambridge, and half of them came from Oxford. But, there seems to be this jewel, this sort of two headed tradition of doing comedy, of doing sketches, and that kind of thing.

If you're a serious actor, it's when you know you're going to die tomorrow that you really start to feel it.

I have a problem with Porsches. They're wonderful cars, but I know I could never live with one. Somehow, the typical Porsche people-and I wish them no ill-are not, I feel, my kind of people. I don't go around saying that Porsches are a pile of dung, but I do know that psychologically I couldn't handle owning one.

But generally speaking, I tend to be quiet and introspective.

This is sort of inflection-free acting [playing Maigret], and I really wasn't sure if I could do it - you make your mind up on whether I've succeeded or not. But yes, I found it difficult when we were shooting; it was a couple of weeks before I settled into not worrying - to finding a way of delivering those lines - so my worries of many months before I think had been justified. I found it a difficult way of being.

Paris in the mid-'50s was a very interesting place. It was only ten years after the Third Reich had left, and the city was awash with guns, and crime, and racketeering, and all sorts of hangovers from a very difficult time in French history. So it's an interesting time to be a policeman.

The path of my life is strewn with cow pats from the devil's own satanic herd!