I'll learn how to rest, though. I can still learn new tricks.

No woman or man is any one thing and the men in my stories, well, some of them are good and some of them are terrible, and most of them make the lives of the women they love much harder than need be. Why? Because that's the kind of storytelling I was drawn to when I wrote these stories, most of which are at least seven years or more old.

Knowing that a story needs to be told is a great motivator, even if telling a given story comes at a price. Writing Hunger has been the most difficult writing of my life, and it's the rawest and perhaps most necessary. We'll see how people take it. I always strive to write beyond personal catharsis because though I write first and foremost for myself, I do recognize that I need to look outward as much if not more than I look inward, so the reader has something with which they can engage.

I would like to believe that most people, regardless of gender, are good and kind. The good men in my stories are the rule. It's the bad men that are the exception and because I tend toward the dark in my fiction, you see more of the exception than the rule.

There's certainly a portion of my brain that is always tuned to making wry observations about the world, but that portion of my brain was alive and well before Twitter.

When feminism falls short of our expectations, we decide the problem is with feminism rather than with the flawed people who act in the name of the movement.

I probably write the same story a hundred different ways. I suppose right now I am looking for the 101st different way to write that same story. And the 102nd, and 103rd and 111th and 133rd.