No woman or man is any one thing and the men in my stories, well, some of them are good and some of them are terrible, and most of them make the lives of the women they love much harder than need be. Why? Because that's the kind of storytelling I was drawn to when I wrote these stories, most of which are at least seven years or more old.

I'll learn how to rest, though. I can still learn new tricks.

I live in the middle of nowhere and I'm an insomniac. I just make the time and I read and write really fast so that makes a lot possible for me. I wish I had an explanation for it. I'm grateful for it.

With my writing, I generally just pretend that no one's reading it. I allow myself that delusion so that I can write the things that I write.

I wrote myself back together. I wrote myself toward a stronger version of myself . . . Through writing and feminism, I also found that if I was a little bit brave, another woman might hear me and see me and recognize that none of us are the nothing the world tries to tell us we are.

I was called a feminist, and what I heard was, 'You are an angry, sex-hating, man-hating victim lady person.' This caricature is how feminists have been warped by the people who fear feminism most, the same people who have the most to lose when feminism succeeds.

Knowing that a story needs to be told is a great motivator, even if telling a given story comes at a price. Writing Hunger has been the most difficult writing of my life, and it's the rawest and perhaps most necessary. We'll see how people take it. I always strive to write beyond personal catharsis because though I write first and foremost for myself, I do recognize that I need to look outward as much if not more than I look inward, so the reader has something with which they can engage.