The artist is a kind of a seer and by nature he is optimistic because he believes in the future.
It's the not the subject that interests me as much as my perception of the subject.
Seeing your work on the wall is like the ultimate thing that can happen.
For me, photography must be visual, rather than intellectual and ideological.
There were no black images of dignity, no images of beautiful black people. There was this big hole. I tried to fill it.
I don't really think that the technique really determines the veracity of the image. It's what the image does to the viewer that determines whether it's right or wrong.