We like to think of industrialization as being despicable. I don't really know what to make of it. Thereโs something terribly brittle about it. I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter. There are certain things that are usable, forceful, and vital about commercial art. We're using those things โ but we're not really advocating stupidity, international teenagerism, and terrorism.
Roy LichtensteinPainting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
Roy LichtensteinColor is crucial in painting, but it is very hard to talk about. There is almost nothing you can say that holds up as a generalization, because it depends on too many factors: size, modulation, the rest of the field, a certain consistency that color has with forms, and the statement you're trying to make.
Roy Lichtenstein