I think it was probably down to the fact that we weren't together personally as a band. We weren't pulling in the same direction. I always feel if you're having a good time in the studio it actually comes across on the tape and that was a bit of a miserable album for us.

Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine,' which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.

Well, obviously I wanted it to sound as original as possible. I suppose the influences that we had were probably from the actual power point of view we wanted to be like the Who. Vocally we wanted to be like the Beach Boys, whatever was good at the time.

The best thing I ever heard was in the '60s. I heard Jimi Hendrix play 'I Can Hear The Grass Grow' after a rehearsal, and it was brilliant.

We should have gone over years before that. I always wanted to and I think most of the band did.

To me, 'Blackberry Way' stands up as a song that could be sung in any era, really. We do it with the new doing all sort of fanfare things in it and it works really well. It goes down great with audiences.

Of course, the wind sort of swept up and the music was flying around in mid air and they were trying to play off it. You had to be there. It was quite funny.