When man faces man the one attempts to put the other to sleep and the other continuously wants to maintain his uprightness. But this is, to speak in the Goethean sense, the archetypal phenomenon of social science. This sleeping-into we may call the social principle, the social impulse of the new era: we have to live over into the other; we have to dissolve with our soul into the other.

The task of art is to take hold of the shining, the radiance, the manifestation, of that which as spirit weaves and lives throughout the world. All genuine art seeks the spirit. Even when art wishes to represent the ugly, the disagreeable, it is concerned, not with the sensory - disagreeable as such, but with the spiritual which proclaims its nature in the midst of unpleasantness. If the spiritual shines through the ugly, even the ugly becomes beautiful. In art it is upon a relation to the spiritual that beauty depends.

In order to approach a creation as sublime as the Bhagavad-Gita with full understanding it is necessary to attune our soul to it.

That which secures life from exhaustion lies in the unseen world, deep at the roots of things.

Just as an age was ready to receive the Copernican theory of the universe, so is our own age ready for the ideas of reincarnation and karma to be brought into the general consciousness of humanity. And what is destined to happen in the course of evolution will happen no matter what powers rise up against it.

The sun with loving light makes bright for me each day, the soul with spirit power gives strength unto my limbs. In sunlight shining clear I revere, Oh God, the strength of humankind, which thou has planted in my soul, that I may with all my might, may love to work and learn. From thee stream light and strength to thee rise love and thanks.

For every human illness, somewhere in the world there exists a plant which is the cure.