I strive for what you do find in Shakespeare's work - that there is a definite humanity and a definite character behind the writing in the sonnets, and it's very real because it's so deeply personal. I try to aspire to that in what I do.

I am under no illusion that I will ever be the greatest opera composer in the world, with Wagner and Verdi and Strauss before me. I think my work could fit very nicely into musicals, though.

In retrospect, I'm really shocked at how far I put my heart out there on the line with 'Prima Donna'. I seem to have this knack for being able to accomplish that.

I really need to know I may just never see you again, or might as well You took advantage of a world that loved you well I'm going to a town that has already been burnt down I'm so tired of you, America.

Once you've fallen from classical virtue, won't have a soul for to wake up and hold you.

My love of maple syrup. I've been known to knock back a can over a couple days: A swig here, a swig there, and next thing you know it's gone. It's a habit I have to stave off. I don't want to lose all my teeth.

The thing I hate most is false modesty. The artists who are, like, "Oh, you know, I'm really not that good. Oh, I can't believe I'm here." I find it vaguely sinister, even.