I may not lead the most dramatic life, but in my brain it's 'War and Peace' everyday.

Every video I do is over budget by the time I walk on set. I am massively extravagant in my personal habits.

I've had my ups and downs, and I definitely have a sense - in America, especially - that once you've made your mark and gotten your Rolling Stone piece and your Grammy nomination, that they're on to the next piece of meat, and they don't necessarily like to follow the twistsand turns of an artistic career. Throwing an opera at them is something they have to notice. There's nothing subtle about it.

I've developed a bit of a fascination with John Denver. I always thought he was kind of tacky and somewhat revolting and had a kind of simplistic weirdness, but on second listen, he actually did have an incredible voice, and the blatant naiveté of his work is straight-edge, in a way.

Premiering a new opera is probably one of the hardest things in the world to do, and opening nights of any opera are always pretty stressful.

My love of classical hit pretty early. I was 13 when it occurred, and that was really the only music I listened to for many, many years. I went to a conservatory, but I always knew I would be in the pop world, because A) it was more fun and B) you didn't have to practice as much and you could go out more. But I immediately saw this opportunity to inject my material with these sounds that most members of my generation really didn't know about, so it was a great way to differentiate myself from the pack.

I still believe that love is the most powerful force in the world, even though I am yet to experience it fully.