I began as a boy with artistic talent... as a visual artist... I thought that was what I'd become and in my late teens drifted into reading serious literature.

We are not buried in history, but surrounded by it. You can't avoid our behavior being shaped by it, to a considerable degree. We have this fantasy that we are free of history. This allows us not to see the circumstances, the historical circumstances of other people.

One of the things I have tried to do with this book and with all of them really is avoid that simple, easy, reductionist view of motivation and to show we do things for a complex net of reasons, a real braid of reasons.

Luck can't last a lifetime unless you die young.

One of the most difficult things to say to another person is, 'I hope that you will love me for no good reason.' But it is what we all want and rarely dare to say to one another, to our children, to our parents and mates, to our friends, and to strangers, especially to strangers who have neither good, nor bad reasons to love us.

The way I feel about every book is this: you don't finish it, you abandon it. All of my books have in some sense failed, otherwise I wouldn't write another one. If I wrote the perfect book, I wouldn't have to write again, and I wouldn't want to. That's not true for everyone, but it's true for me. I could walk away then. But so far I haven't managed to do it.

And out of a desire essentially to imitate what I was reading, I began to write, like a clever monkey.