One of the things I have tried to do with this book and with all of them really is avoid that simple, easy, reductionist view of motivation and to show we do things for a complex net of reasons, a real braid of reasons.

Storytelling is an ancient and honorable act. An essential role to play in the community or tribe. It's one that I embrace wholeheartedly and have been fortunate enough to be rewarded for.

If you are born black, it is better to be born now than in any other time in United States history. My grandson is black. His life is a different life than if he had been born when I was born.

Boys like it when you talk to them as if they were grown men—at least he always did when he was a kid—because they pretend that’s what they are anyhow, grown-up men, and they do it for their entire lives.

John Brown first swam into my vision in the 1960s when I was a political activist in the civil rights movement and the anti-war movement at Chapel Hill, where I went to university.

One of the most difficult things to say to another person is, 'I hope that you will love me for no good reason.' But it is what we all want and rarely dare to say to one another, to our children, to our parents and mates, to our friends, and to strangers, especially to strangers who have neither good, nor bad reasons to love us.

I am aware of the changes, but in no sense am I believer that we live in a post-racial society. That's a description of our inheritance and that is theirs, which is inescapable. It is doesn't matter if you are from New England or Mississippi. You're an American. It doesn't matter if you are white, black, brown, or Asian. It is part of American society. You'd have to be blind, deaf, or dumb not to know it. The emphasis on color or the fear of it, is all part of the same dark flower. I am trying to point to that and to bring it all the way back from Senegal.