I read the bible often, not just to prepare for "Noah". I believe it is a very important book.

If you're a certain type of actor, then eventually stepping into a director's shoes is a natural transition. I've always been the actor who's very focused on the narrative, where my character is in the story, and how I can benefit the story. I've always had a technical aspect of what the lens is, how the camera is going to move, how I can feed the information the director applies within that move. If you're that type of actor, narrative-based, technically proficient, the next step is actually not that far.

Iceland is fascinating; really an amazing place to visit, and great for a film to go there.

I like villains because there's something so attractive about a committed person - they have a plan, an ideology, no matter how twisted. They're motivated.

If you grow up ... in the suburbs of anywhere, a dream like this seems kind of vaguely ludicrous and completely unattainable, this moment is directly connected to those childhood imaginings. And for anybody who's on the downside of advantage, and relying purely on courage, it's possible.

I think if there's some kind of crisis in news journalism... a crisis of credibility, then it's been created by journalists. I'm empathetic, I understand it and I see it, but I'm not sympathetic about it. If you want people to think of journalism with higher regard then do better work.

Nobody wants zealotry in a police force, you know? You do want to know that the guy who's got that badge, is confident enough to judge a certain level of benign corruption. Like a man steals some food to feed his starving children.