I read the bible often, not just to prepare for "Noah". I believe it is a very important book.

If you're a certain type of actor, then eventually stepping into a director's shoes is a natural transition. I've always been the actor who's very focused on the narrative, where my character is in the story, and how I can benefit the story. I've always had a technical aspect of what the lens is, how the camera is going to move, how I can feed the information the director applies within that move. If you're that type of actor, narrative-based, technically proficient, the next step is actually not that far.

Even though Noah is in the Koran as well. But we knew going into this project that you can't make stories or render images about the Prophet. But I do believe people are missing out if they don't have the choice to see this film.

You can't understand it until you experience the simple joy of the first time your son points at a seagull and says 'Duck!'

When you're heading into Anzac cove you are going into this battle situation staring into the sun. So, any movement in that water, any glint is going to be seen for miles away. Even in the first rays of dawn, there's nowhere to hide.

In my life there were times when dreams have nothing to do with reality, but obviously they were prophetic dreams. And I know that if we look closely and listen carefully, we can see the supernatural signs that determine our future. We all meet with various everyday difficulties and overcoming them, we grow and develop.

If I'm creating the composition, it's easier for me as an actor because I've just cut out the middle man. Because I've created the composition and now I'm in it, I already know exactly what I want to get out of it. So, bang!