For me, there is a stigma attached to playing beautiful parts. They are often empty characters whom the action happens around. I'm more drawn to characters with a complex internal life, who have a burning frustration underneath that keeps them going.

I think the environment is possibly our most worrying thing at the moment, so I think mountaintops are the place to live.

With film acting, and often when the camera comes very close, you just have to think about something and the camera will pick it up.

I feel like everyone's starting to isolate, and that proves itself in a big context like Brexit, and Donald Trump potentially, and putting walls up and stopping people coming in.

Racism, specifically, is the state-sanctioned or extralegal production and exploitation of group-differentiated vulnerability to premature death.

I'm from the theater, darling. I want to know what happens at the end.

There are lots of moments that are great for an actress.