The communal experience of sharing something, and being part of it, and watching something visually striking, that's what film is all about. Seeing everything on a big screen, and to be able to see something phenomenal in that way, and being moved by it. We have kind of lost the tradition of that, and we're not nurturing the next generation in that tradition, and maybe that's why they're not turning up.

You never have a consistent job as an actor, so you're always looking for the next thing. It's defined by the opportunities that come across your doorstep at the time. A career is totally in the hands of fate, in terms of how those opportunities arise.

With film acting, and often when the camera comes very close, you just have to think about something and the camera will pick it up.

I love complex characters - strong females who are vulnerable but have a life and soul. That's what I'm drawn to and what I enjoy most.

I'm drawn to damaged, complicated characters.

For me, there is a stigma attached to playing beautiful parts. They are often empty characters whom the action happens around. I'm more drawn to characters with a complex internal life, who have a burning frustration underneath that keeps them going.

Even now, for women to be contemplating the act of ending their life is considered horrific because they are the giver of life. They're seen in a patriarchal society as the one who offers life and has to nurture a child and have a child within them. That's your only role.