Leaving Europe in my mind wasn't the best thing; it's not the best way of having that political voice. But that's the only voice people in Britain could have. People turned out in their droves to vote, more than for prime minister. So it was huge and very divisive.

In Britain, we haven't got enough money to make these long-running shows. We always do little mini ones. You have more control as an actor over what you want to do with it. On these you drive yourself mad trying to know what's going to happen, because the writers don't.

The communal experience of sharing something, and being part of it, and watching something visually striking, that's what film is all about. Seeing everything on a big screen, and to be able to see something phenomenal in that way, and being moved by it. We have kind of lost the tradition of that, and we're not nurturing the next generation in that tradition, and maybe that's why they're not turning up.

I admire the brazen qualities in people.

I'm drawn to damaged, complicated characters.

My remit has always been: I want to do something different from the last thing I've done.

I haven't got one or two people that I aspired to be like.