I think it's more interesting to see people who don't feel appropriately. I relate to that, because sometimes I don't feel anything at all for things I'm supposed to, and other times I feel too much. It's not always like it is in the movies.

Women are mad at me. A girl came up to me on the street and she almost smacked me. Like, ‘How could you? How could you let a girl like that go?’ I feel like I want to give people hugs, they seem so sad. Rachel and I should be the ones getting hugs! Instead, we’re consoling everybody else.

I am pretty sick with myself! It seemed a pretty good idea at the time. Around the time I turned 30, I started to feel very creative, more creative than I had been before which is good and I like that.

I try not to discriminate against genres.

I never was that boy who loved gangster films, but when I was growing up, I was obsessed with the detective Dick Tracy. It was one of my favourite movies as a kid, and he really inspired me. I would have loved to be part of that golden age of Hollywood in the 1940s. It made me want to become an actor.

I’ve been lucky, so lucky, working with [...] Rachel (McAdams) on The Notebook. A big draw for me, when I do a film, is who am I going to be opposite, because there’s only so much I can do on my own.

I don't know what art is exactly, but I'm pretty sure it's not something you get paid to do. For myself this is a job. I think it's easier to get better at it if you don't lose your identity in it. You do whatever you can to try to understand the character. Because they're paying you feel like you should be doing something.