I am real, real picky with what I decided to do. I want to make sure it's new and at the same time that it's in the same color of what I have played before. Not to pigeon hole myself but I don't like to do fluff.

I don't know. I always love to find where a character's heart is, and by that I mean where they're intrinsically vulnerable, and to bring that out in myself.

I think it's particularly a distinctively American concept that resonates with American culture through biker culture. A motorcycle is an independent thing. You're like, 'I don't want to ride in a car with this person. I want to be independent and ride by myself. But, let's ride in a group. Let's be independent, together.'

One of the important things is that a lot of people forget that a biker club is a secret society.

Bikers, in general, have just been so attractive to people. Photographers would follow them because there's this weird warrior gravitas that comes with it. The bikes are loud, they have tattoos, they have artwork that they all wear on their jackets.

I remember Julianne Moore talking about acting and she said, "I'm just looking for truth. When people watch, they're not looking to see me. They're looking to see themselves." That's one of my new favorite sayings

The job of the art is to really convey and support that empathetic response. I always try to find where the character is mushy, and then bring that to the forefront.