When I do comedy, my brain sort of locks up in the infinite possibilities. That's where I get sort of lost. I think, "Oh, there are six other jokes that we could say here!" I feel more at home with drama.

I did as much as I could in Vancouver. You can only play so many ex-'Falcon Crest' sons in so many movies of the week before you burn out.

I remember that coming to America was scary for me because everything here is just bigger, better, shinier, you know?

There's a very real possibility in this industry of going out and leading your life and then going home and being a voyeur of your own life. You can literally go watch yourself - where you went last night, what you did, what the things that people presuppose about you. It's kind of crazy.

Anyplace of work where you have a cross section of work, you have mini-ecosystem. A little representation of what the planet is. You have the Alpha Dog. You have the young ones, the old ones. The pissed off one. The quiet one.

I had a lot of different jobs between fifteen and nineteen. I'd moved out of my house way, way younger than I should have. So I was living out on my own with my brother when I'd just turned sixteen. I did busboy stuff, and worked in warehouses, and did odd jobs, and stuff. I earned me some Pesos.

We've all had that moment where the agent thought he hit hold. You hear it's like Hamburger Hill in the background.