'Green Lantern' I screen-tested for twice. I fought for the role. And I'm glad I did, because I felt like I earned it.

The woman is skin covered prozac I like to call her. Half the trick to a film like this is keeping a sort of emotional level going and keeping an attitude that induces creativity on the set. You have to be in a good mood for that. You have to be happy to make a comedy I think and Anne sort of ensured that every time by expressing most of her feelings through the exciting medium of dance.

We learned early on that we had chemistry and I was so grateful for that. It's like one of the few magical things about film that still exists.

I see guys with, like, eyebrow art, and I wanna tell them, 'You don't have to go too crazy on your brows. Take it easy, man!

'Green Lantern' I screen-tested for twice. I fought for the role. And I'm glad I did, because I felt like I earned it.

Each time I take a role, I'm always nervous about it at the beginning and I'm always afraid what if that, what if this. Every time I take a role and I'm somewhat terrified at the beginning and I get into it and I start working, that's a big win for me. So, really it is stepping forward in the face of whatever fears that I've created for myself and going forward anyway and those are always big moments for me.

I'm one of the most fortunate guys around,I still get to do those kinds of movies, and then I get to do Green Lantern, and I get to do Buried with an auteur like Rodrigo Cortés. I enjoy that I can get away with that.