I think you have to let go of this idea that you can be precious about everything, and let it be the abstract mess that it is.

I'll say this: The media wasn't invited to my marriage, and they're definitely not invited into the divorce.

When I'm not training for a movie, it's more relaxed. I do a lot of running. Usually I'll run four to six miles about three times a week. You try to eat right, but you don't always.

Doing a film with your friend is probably the best way to end that friendship but we worked together really well. We just have that thing. Chemistry is something that... I just think it is the last thing in Hollywood, the last magical thing they haven't computerised. There's nothing you can do about it - it's either there or it's not and it doesn't matter if you're friends or not. It was just a bonus that we were.

If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.

I had a lot of different jobs between fifteen and nineteen. I'd moved out of my house way, way younger than I should have. So I was living out on my own with my brother when I'd just turned sixteen. I did busboy stuff, and worked in warehouses, and did odd jobs, and stuff. I earned me some Pesos.

We've all had that moment where the agent thought he hit hold. You hear it's like Hamburger Hill in the background.