Graphic novels and comic books offer an easy foothold into that world, and screenwriters and studio execs gravitate toward those, because I think they can see it all right there. It's like, "Here's what the movie looks like."

You have to really make sure that every moment means something, and that every moment, there's a purpose for it. And then you have to blend it all together without it looking like you're really focusing on it. That, to me, was the magic trick that was most difficult for the film [Buried].

I'm not a hockey fan, which is probably why I had to leave Canada in the first place.

When I do comedy, my brain sort of locks up in the infinite possibilities. That's where I get sort of lost. I think, "Oh, there are six other jokes that we could say here!" I feel more at home with drama.

Everybody thinks it's glamorous and this spy versus spy stuff is so exciting, but working in that industry and being a CIA operative, like a field officer, is tough. That's a difficult job that usually dismantles their lives in some capacity.

The ‘friend zone’ is like the penalty box of dating, only you can never get out. Once a girl decides you’re her ‘friend,’ it’s game over. You’ve become a complete non-sexual entity in her eyes, like her brother, or a lamp.

I like doing the mainstream, right-down-the-pike broad comedies as much as I like doing the kind of unorthodox different stuff.