When I first moved to Los Angeles I came down there on a wing and a prayer in a way. I had about six weeks worth of money to make it there and that was just from doing a couple of episodes of the X-Files just to finance that trip. I got there and it is either you got to hit it or you got to go and, thankfully, I found a job.

I'm one of the most fortunate guys around,I still get to do those kinds of movies, and then I get to do Green Lantern, and I get to do Buried with an auteur like Rodrigo Cortés. I enjoy that I can get away with that.

I don't think you can help but personalize a role. You almost play to none of the preconceived notions of it. It's more or less a personal experience and journey.

When I was younger, I was reticent to be vulnerable on camera and everything I was doing was just a really finely honed defense mechanism from when I was a kid, and I was now using this to make a living on camera.

We learned early on that we had chemistry and I was so grateful for that. It's like one of the few magical things about film that still exists.

When your dad's a cop, calling 911 is really just like calling Dad at work.

I can't say I've ever finished a film and been particularly thrilled with myself or patted myself on the back. And maybe that's what keeps me going, and that's a good thing. It speaks volumes about how I perceive myself.