If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.

My father was swallowed alive by his own anus. It was a terrible way to go.

Every time I've gotten myself into trouble, it's because I'm choosing a project based on a long-term career goal as opposed to something that speaks to me at the moment.

We've all had that moment where the agent thought he hit hold. You hear it's like Hamburger Hill in the background.

If you ask me to describe my relationship, I mean - words are too clumsy to accurately describe how I feel in that regard, particularly in an interview. It’s a strange thing.

A producer is someone who actually calls the shots. An executive producer is just a guy that eats more food at craft service.

I'm going to admit when I'm clueless, and I'm going to ask people for help when I don't know the answer to something.