I think theres escapist moviemaking, and we want to be captivated and taken away. If its done right, you can craft an incredible film. There have been superhero films that I think are brilliant pieces of art.

Well, I came down to LA initially to join The Groundlings, which is an improv comedy group. I didn't get in, of course, becaue I'm not a part of The Groundlings. I just assumed that I could walk in and take over. So they said: "Hit the road Jack." And I ended up getting an agent instead. They sent me out on a couple of leads and I ended up on a sitcom and Van Wilder thereafter and then pantsless with Sandra Bullock.

I remember being upset because I was finally legal to drink in Canada, and I decided to throw that all away and move to America, where I had to wait another two years. I came here to do improv and to try to join the Groundlings.

A producer is someone who actually calls the shots. An executive producer is just a guy that eats more food at craft service.

Hollywood is so strange because a lot of times the battlefield is just a meeting. It's not necessarily like an audition. They've seen clips of you and they know that you can perform and it's a matter of "what is your take on a character"?

I see guys with, like, eyebrow art, and I wanna tell them, 'You don't have to go too crazy on your brows. Take it easy, man!

I'm one of the most fortunate guys around,I still get to do those kinds of movies, and then I get to do Green Lantern, and I get to do Buried with an auteur like Rodrigo Cortés. I enjoy that I can get away with that.