The woman is skin covered prozac I like to call her. Half the trick to a film like this is keeping a sort of emotional level going and keeping an attitude that induces creativity on the set. You have to be in a good mood for that. You have to be happy to make a comedy I think and Anne sort of ensured that every time by expressing most of her feelings through the exciting medium of dance.

Making a mix CD - albeit slightly old school - is generally a pretty cool gift and something I like to receive, or giving someone a book that moved you. Writing an inscription inside makes it even better.

It's tough. It's very tricky to throw a morally flexible character onto the screen and have an audience empathize. It's always an exercise in restraint.

We've all had that moment where the agent thought he hit hold. You hear it's like Hamburger Hill in the background.

I don't know if you've ever had insomnia, but it's a really terrible feeling when it's days and weeks on end. It was kind of awful.

I do have someone that I work with and she is amazing and I definitely don't have unmitigated abusive tendencies towards her. She is very sweet. I also know what that is like. I have heard my agent thinking he has hit mute on the phone before he, you know, physically unleashes broken glass and cellphones at his poor assistant. It is a tough job under the best of circumstances. I understand that.

I learned early on to abandon all those preconceived notions you have about other actors and it's served me really well. I usually just try to empty my mind of that. I love meeting actors and I love working with actors.