The woman is skin covered prozac I like to call her. Half the trick to a film like this is keeping a sort of emotional level going and keeping an attitude that induces creativity on the set. You have to be in a good mood for that. You have to be happy to make a comedy I think and Anne sort of ensured that every time by expressing most of her feelings through the exciting medium of dance.

I do have someone that I work with and she is amazing and I definitely don't have unmitigated abusive tendencies towards her. She is very sweet. I also know what that is like. I have heard my agent thinking he has hit mute on the phone before he, you know, physically unleashes broken glass and cellphones at his poor assistant. It is a tough job under the best of circumstances. I understand that.

As a kid, I think I wanted to be the on-set dresser for 'Charlie's Angels'. My goals weren't lofty. No. I just wanted to someday quit my paper round and that was about it.

It's a nice visual. I had just done Blade and I put on more weight for Blade and I thought I might as well use it so I kept it and added a little more. I wanted him to be a big bear.

I think every relationship is going to go through a few rough patches. Those are what make it stronger, I think.

Anyplace of work where you have a cross section of work, you have mini-ecosystem. A little representation of what the planet is. You have the Alpha Dog. You have the young ones, the old ones. The pissed off one. The quiet one.

I learned early on to abandon all those preconceived notions you have about other actors and it's served me really well. I usually just try to empty my mind of that. I love meeting actors and I love working with actors.