If you look at Indian movies, every time they wanted an exotic locale, they would have a dance number in Kashmir. Kashmir was India's fairyland. Indians went there because in a hot country you go to a cold place. People would be entranced by the sight of snow.

India, the new myth--a collective fiction in which anything was possible, a fable rivalled only by the two other mighty fantasies: money and God.

What had been (at the beginning) no bigger than a full stop had expanded into a comma, a word, a sentence, a paragraph, a chapter; now it was bursting into more complex developments, becoming, one might say, a book - perhaps an encylopaedia - even a whole language.

Music, love, death. Certainly a triangle of sorts; maybe even an eternal one. "The only people who can see the whole picture," he murmured, "are the ones who step out of the frame."

Ideas are interesting to me, and religions are a place where ideas have been very subtly embodied for thousands of years. All literature started as sacred literature.

I always thought the front line was the bookstores. And bookstores around America, around the world did astonishingly well. They held the line. They didn't chicken out. You know, they defended the book. They kept it in the front of the store.

In Europe, the Enlightenment of the 18th century was seen as a battle against the desire of the Church to limit intellectual freedom, a battle against the Inquisition, a battle against religious censorship. And the victory of the Enlightenment in Europe was seen as pushing religion away from the center of power. In America, at the same time, the Enlightenment meant coming to a country where people were not going to persecute you by reason of your religion. So it meant a liberation into religion. In Europe, it was liberation out of religion.