From the beginning men used God to justify the unjustifiable.

What I've always seen in writers and artists is the courage it takes to make an original work of art. I think the real risks in literature are linguistic and intellectual, and I hope we can highlight those, as well as political courage.

The gamble of literature is that I make the best work I can; the most truthful, the most representative of how I see things. I try and do that and then I put it out there and say to you, "What do you think?" I hope that you think well of it, obviously.

The accidents of my life have given me the ability to make stories in which different parts of the world are brought together, sometimes harmoniously, sometimes in conflict, and sometimes both - usually both. The difficulty in these stories is that if you write about everywhere you can end up writing about nowhere.

Good advice is rarer than rubies.

Believe in your own eyes and you'll get into a lot of trouble, hot water, a mess.

As a writer, one of the things we all learned from the movies was a kind of compression that didn't exist before people were used to watching films. For instance, if you wanted to write a flashback in a novel, you once had to really contextualize it a lot, to set it up. Now, readers know exactly what you're doing. Close-ups, too.