Religious poetry, civic poetry, lyric or dramatic poetry are all categories of man's expression which are valid only if the endorsement of formal content is valid.

As the poet has expected, the alarms now are sounded, for - and it must be said again - the birth of a poet is always a threat to the existing cultural order, because he attempts to break through the circle of literary castes to reach the center.

Religious power, which, as I have already said, frequently identifies itself with political power, has always been a protagonist of this bitter struggle, even when it seemingly was neutral.

A poet clings to his own tradition and avoids internationalism.

At the point when continuity was interrupted by the first nuclear explosion, it would have been too easy to recover the formal sediment which linked us with an age of poetic decorum, of a preoccupation with poetic sounds.

He passes from lyric to epic poetry in order to speak about the world and the torment in the world through man, rationally and emotionally. The poet then becomes a danger.

From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue.