We poets don't tend to be certain a lot. Much of our art is made out of our own uncertainty. And there is a not-knowingness, I think, that leads us back to suffering humanity with a more compassionate vision than most of our politicians have.

It's difficult to put your own bare ass out on the limb every time you sit down to write a poem. But that's really sort of the ideal. Because if we don't discover something about ourselves and our world in the making of a poem, chances are it's not going to be a very good poem. So what I'm saying is that a lot of our best poets could be better poets if they wrote less and risked more in what they do.

Poetry transcends the nation-state. Poetry transcends government. It brings the traditional concept of power to its knees. I have always believed poetry to be an eternal conversation in which the ancient poets remain contemporary, a conversation inviting us into other languages and cultures even as poetry transcends language and culture, returning us again and again to primal rhythms and sounds.

I was a violent, self-destructive teenager, who was adopted right at the end of World War II. I was lied to and abused by my parents. I hated life in Utah. I resented the Mormon Church, its sense of superiority and its certitude. I escaped through the Beat writers and discovered poetry and have devoted my entire life to the practice of poetry in varying ways. Poetry gave me a reason for being. And I'm not exaggerating when I say that.

Galway Kinnell came out with that wonderful big, breathy, hollow voice of his and read, for the first time in public, "The Bear." That poem impressed me so much that I memorized it. I used it for years when I taught in prisons. It's a powerful extended metaphor for what the writing life is really all about. It's a uniquely powerful poem about self-transformation, and that's what we're asking, really, beyond even our objection to the war. We're asking people to look at themselves and think about what might be possible with a little self-transformation.

What poetry does above all else is develop sensibility. And that's what makes poetry so dangerous. That's why poetry is so good at undermining governments and so bad at building them. There's nothing harder to organize than a group of poets.

I'm a poet who practices Zen. And it's not, I'm somebody who practices Zen who writes poetry. There's no separation for me.