What poetry does above all else is develop sensibility. And that's what makes poetry so dangerous. That's why poetry is so good at undermining governments and so bad at building them. There's nothing harder to organize than a group of poets.

All I'd ever heard my entire life in my family was, "Nobody wanted you, and we took you in." When you get that into your head at a tender age, you really feel like you are an unlovable human being, and then you behave like one. That's exactly what I had done. It took me many years to deal with my own violence and find my own niche.

Ho Kyuns poetry is in the tradition of his master, the incomparable Tu Fu, while remaining fully his own. Writing nine centuries later, Hos poetry strikes many parallels--the experiences of war and exile and constant struggle-- and his voice is similarly humane. This is rich and enlightening reading.

I was a violent, self-destructive teenager, who was adopted right at the end of World War II. I was lied to and abused by my parents. I hated life in Utah. I resented the Mormon Church, its sense of superiority and its certitude. I escaped through the Beat writers and discovered poetry and have devoted my entire life to the practice of poetry in varying ways. Poetry gave me a reason for being. And I'm not exaggerating when I say that.

Most of the ugly wars in history have been wars of religion. And there's nothing more dangerous than someone with religious certitude who creates consequences in the world that to me are simply inexcusable.

I haven't seen any poet in this country behave nearly as rudely as Newt Gingrich or Bill O'Reilly. I'm not asking these people to approve of everyone's manners. I don't feel obliged to defend the manners of every poet who submits a poem to my web site. That's not my job. My job is to provide them with an opportunity to speak from the heart. If there's not much in the heart and if the mouth is running wild, that's not my problem.

Poetry teaches us things that cannot be learned in prose, such as certain kinds of irony or the importance of the unsaid. The most important element of any poem is the part that is left unsaid. So the poetry frames the experience that lies beyond naming.