Ho Kyuns poetry is in the tradition of his master, the incomparable Tu Fu, while remaining fully his own. Writing nine centuries later, Hos poetry strikes many parallels--the experiences of war and exile and constant struggle-- and his voice is similarly humane. This is rich and enlightening reading.

Kenneth Rexroth took me under his wing for a brief period. I was fifteen years old, and I was smoking a lot of heroin and trying to be cool, man, and I really loved poetry. And Kenneth convinced me that destroying myself was not really the best possible solution, and that I needed to look at the world's literature, and not just my own life, in order to be hip, if you will. So he had a huge influence on what became of me thereafter.

Of course, there are some people who behave rudely. Allen Ginsberg used to like to get up in public and take his clothes off. I don't do that, but I liked Allen Ginsberg. He was a nice guy.

I think a lot of American poets are swimming-pool Soviets. A lot of them have taken the comfortable, self-protective route too often. I know that I certainly have. That's easy to do.

It would be nice if all the Republicans could put poetry in a little box and put the box under the bed and sit on it, but they can't.

I would say that my great political awakening was really born on Okinawa, reading Albert Camus: the "Neither Victims nor Executioners" essay and The Rebel. I was an eighteen-year-old kid. I hated myself. I hated my life. I thought nobody wanted me.

If only we could touch the things of this world at their center, if we could only hear tiny leaves of birch struggling toward April, then we would know.