When these idiot rightwingers start complaining about poetry being political, I'm fond of reciting Sappho to them, who excluded men from her world. Why does she exclude them? Mostly because of their warmongering.

What poetry does above all else is develop sensibility. And that's what makes poetry so dangerous. That's why poetry is so good at undermining governments and so bad at building them. There's nothing harder to organize than a group of poets.

Most of the ugly wars in history have been wars of religion. And there's nothing more dangerous than someone with religious certitude who creates consequences in the world that to me are simply inexcusable.

I think a lot of American poets are swimming-pool Soviets. A lot of them have taken the comfortable, self-protective route too often. I know that I certainly have. That's easy to do.

It's difficult to put your own bare ass out on the limb every time you sit down to write a poem. But that's really sort of the ideal. Because if we don't discover something about ourselves and our world in the making of a poem, chances are it's not going to be a very good poem. So what I'm saying is that a lot of our best poets could be better poets if they wrote less and risked more in what they do.

All I'd ever heard my entire life in my family was, "Nobody wanted you, and we took you in." When you get that into your head at a tender age, you really feel like you are an unlovable human being, and then you behave like one. That's exactly what I had done. It took me many years to deal with my own violence and find my own niche.

I got interested in Zen when I was a teenage beatnik on the streets of San Francisco. And it was my interest in Zen, in part, that got me into the Marine Corps, because that was a ticket to Asia. So I spent a couple of years on Okinawa and began reading and thinking about how I wanted to go about conducting my life.