You freeze with the number of opportunities given to you and just decide to do nothing at all.

I deliberately, in a way, went for something that was a huge challenge and was a big period film. I was excited about the canvas on which I could tell the story as much as the story itself.

I've made movies that cost less than one car chase.

One of the reasons I loved working with Tom is people feel they know who he is... I think working with an actor who the audience already has a relationship with actually helps you in a film like this.

I don't think good and evil are polarized.

The moment you have kids, you are prey to judgment, but you also become a judge. You find yourself going, "Can you believe what she did with such-and-such?" at school.

Kevin and Annette... I wanted them to do it together. They clearly wanted to work with each other.